Installation articles

Ergonomica

Ergonomica – dance and architecture in the urban space

Ergonomica – dance and architecture in the urban space

Ergonomica – dance and architecture in the urban space 4Culture and WASP Working Art Space and Production presents on 4th and 5th of November, at Casa OAR in Bucharest, the first events from the international cooperation program called Ergonomica. Ergonomica – dance and architecture in the urban space, proposes an interdisciplinary approach, based on creativity,

andreea vladut_artificial lungs

Andreea Vlăduț // Artificial lungs // Immersive sound installation

Andreea Vlăduț // Artificial lungs // Immersive sound installation Project selected for “Visualizing the sound” 2017 Production: WASP Studios. Co-production: Asociația 4Culture Curators: Olivia Nițiș and Ciprian Ciuclea Opening: 25.10.2017 | 8 pm WASP – Working Art Space and Production 67-93 Ion Minulescu 67-93, Bucharest, Romania  Free admission Artificial lungs is an ongoing project started

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Stephane Clor | „Perspective, thread and speakers, space installation, variable dimension, 2016“

Perspective, thread and speakers, space installation, variable dimension, 2016 Sound is shaped by the space as it shapes the space back. How does it sound? Is it visible? There is no illusion: your perspective might be different. Sound creates edges as lines do. An outside, an inside. Walls are reflecting details. Modulations need positions. Positions

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Przemyslaw Sanecki | The Storm That Shelters the Carnival

“The Storm That Shelters the Carnival” is a software installation, which brings viewers closer to volatile and unpredictable financial phenomenon. The work consists of bespoke software, which is entirely driven by a real time market data. Visual data-structures and clouds of sound grains deliver the final aesthetic experience. Pure-data, which is a tool known in

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Andreas Lutz | Zwölftonform

“Zwölftonform“ is an audio-visual performance by Andreas Lutz from 2015. Following the formal rules of dodecaphony, for “Zwölftonform” twelve consecutive titles are composed exclusively with twelve consecutive frequencies. The basic structure for each title is made up by to twelve different sound samples from a previously generated sine waveform. Built on this basis these arrangements

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